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Why we play everything too slow first

About 15 minutes

Why We Play Everything Too Slow First

Okay. Down strum's steady, up strum isn't tangled anymore. You've got a real pattern now.

Which means this is exactly the moment people speed up and lose everything they just built. So before we go any further, I want to talk about why we don't do that in this class.

Here's the thing

Slow is not a beginner tax you pay until you graduate to fast. Slow is the actual skill. Fast is just slow, done enough times that your hands stopped needing to think about it.

If you learn the pattern fast and sloppy first, you're not saving time. You're just practicing the sloppy version until it's permanent, and then you have to unlearn it before you can learn the clean one. That's two jobs instead of one.

I found this out the hard way. I spent about two weeks trying to get a fast down-up strum by watching a video at normal speed and copying it. Got nowhere. My hand just froze up every time, because normal speed was faster than I could actually track what my fingers were doing. Then I slowed the video down to a quarter speed. One sitting. Fixed. I could finally see what the wrist was doing instead of guessing from a blur.

That's the whole lesson, really. You can't learn a motion you can't see, and at full speed, beginners can't see their own hands.

What "too slow" actually means

I mean slow enough that it's almost boring. Slow enough you could stop mid-strum and check your grip. If you're playing our pattern (down, down-up, up-down-up, whatever we landed on for you) and it still sounds like music, you're going too fast for this exercise.

Try this at home:

  1. Set a slow, even tempo. Clap it first with no uke, just to feel it in your body.
  2. Play one full pattern. Stop completely.
  3. Check your fretting hand. Clean chord, no buzz, fingers where they should be.
  4. Play it again. Stop again.
  5. Only speed up once you've done it clean five times in a row without stopping to think.

Five clean reps, not five reps total. If you mess up on rep three, you start the count over. I'm not being strict for the sake of it. The counting is what keeps you honest, because otherwise everyone's brain rounds "pretty good" up to "clean," and it wasn't clean.

The opinion part

I've said this before but it matters here more than anywhere: slow and correct beats fast and sloppy, every single time. Not most times. Every time. A room full of beginners playing a strum pattern too fast sounds like a rockslide. The same room playing it slow and clean sounds like actual music, just unhurried music. Given the choice, take unhurried music.

A story, since we're here

My sibling Kenneth visited a while back and I taught him "Riptide" in an afternoon at the kitchen table. Four chords, one strum pattern, nothing fancy. He is, and I say this with love, worse at it than I am. His chord changes are late, his strumming rushes when he gets excited about a part he likes.

And he had a better time playing it wrong-ish than I generally have playing it right. I noticed that. Thought about it for a while afterward, actually.

I bring it up here because slow practice can feel like it's robbing you of the fun part, the part where it sounds like a real song. It isn't. Kenneth got to the fun part faster than either of us expected, and the reason was that he wasn't fighting his own hands the whole time. Slow practice got him there quicker, not slower. That's counterintuitive until you've lived it once.

A caution, plainly

Your fretting hand and your strumming hand are doing two different jobs on two different clocks. When people rush, the strumming hand usually speeds up first and the fretting hand can't keep up, so you get muted strings and buzzing. That's not a talent problem. That's a pacing problem, and pacing problems get fixed by slowing down, not by trying harder at the same speed.

If your hand starts cramping or aching while you're doing these slow reps, stop for the day. That's not a step to push through. Same rule as always: pain means stop, don't bandaid it and keep going.

Before next time

Pick one strum pattern you already know and play it slow, five clean reps in a row, once a day. Don't touch the speed dial until it's boring.

Why we play everything too slow first · Ukulele Basics · Utah Community Learning